[•] K&F Concept Camera Bag Review

Bag Available Here: “https://www.amazon.com/gp/offer-listing/B01M237LLV/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B01M237LLV&linkCode=am2&tag=pazrahn-20&linkId=e97ba8f78824dbc6ce3ddc9b8af4cb60”>


With a new bag comes a new bag review. For a long long time well 12 years in fact I have used a LowePro version camera bag in the same style as this K&F Concept bag.


The K&F version has two plastic pads on the base for when you put the bag down on the ground to protect the base and the fabric of the bag including the gear inside which I really like. The outside front has clips for a tripod to hold centre of the bag while walking. Balance in a bag is the single most important feature.



There are some details I like about the bag including the cute little embroidered tripod symbol. LowePro as a camera bag is a forgotten dream the prices are just sickening when you can purchase this bag for $75 and the build quality I would consider substantially better. The shoulder straps are firm and hold their shape and on the back feels very comfortable. The front pocket holds a Surface Pro tablet with ease.


The zippers can be undone with one hand so if your a one handed photographer this will definitely cater for you.


The bones of the bag allow for two decent DSLR’s. In the photo you can see with a little customisation of the support pads you can fit a Fujifilm GFX50s with 32-64mm lens. Up top is a Sony A7II mirrorless for the little projects along with two primes lenses. And other sections hold a dust blower, Lens hood and SD card holder case.



Extras include waterproof dust cover and would you believe a gift zip bag containing a dust blower, spray bottle for lens cleaning and cleaning cloth. Such a thoughtful well presented bag for any photographer.


Overall Rating 10/10

This is one of the best bang for buck bags around including build quality compared to any other bag on the market.

If you get this bag you will be filled with joy.

Disclosure: I am not funded by this camera gear company. Just a one man band doing the far and in between gear reviews on items I have purchased.


Bag Here: https://www.kentfaith.com/camera-backpacks/USKF13.051_professional-dslr-camera-backpack-waterproof-11-81-6-3-16-54-inches



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You have a chance to win 1 Million Dollars using your camera.

Do you know you have more of a chance to win 1 Million Dollars by taking a photograph with your camera than you would if playing Lotto.

The odds of winning Lotto are 100,000,000 to 1 and the odds of capturing a million dollar photograph are much closer than you think.

I am a very strong believer if you carry your camera with you everyday and an event happens or somebody super famous happens to walk by doing odd you can easily capture a frame with your camera and that split second of luck could bring you a windfall of something big.

Part of this principle is based on the saying the best camera is the one that’s with you but say you get a photo with your smart phone that image is less likely to get a good offer of dollars compared to a digital SLR photograph.

After many years of shooting I still believe that it is possible to take a million dollar photograph (It hasn’t happened yet for me but it might happen to you) and I’ve thought carrying that camera by my side everyday increases those odds.

As far fetched as it sounds to take a million dollar photograph have you ever heard that one photographer sold a picture of a potatoe for a large sum of money.  I’ll admit I have never photographed a potatoe but after hearing that story it is definitely at the top of my list to photograph one or maybe two 😉

Now if the odds of winning Lotto are 100,000,000 to 1 then the odds of taking a million dollar photograph surely has to be 500,000 to 1.

Here is the key to taking a million dollar photograph with 5 simple variations to help calculate your odds. They come down to your actions and a few factors;

1) How often you leave the house.
2) How many photographs you take per year.
3) The type of camera and lens combination you use.
4) Location of where you take the photograph. i.e outback of Timbuktu would decrease the odds Verse someone smack in the middle of a specific city.
5) A blessing of good old Irish Luck.

As funny as this all sounds if you were in Timbuktu you might get a photo of a Yeti and win big or you could be in the city and capture a famous person but at the end of the day just remember having that camera with you everyday could pay off big time or just pay off your camera.

Now where are the potatoes in the pantry.

Oh your still here: Write down below in the comments what you think your odds are.

Matchbox 20

Matchbox 20



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Fujifilm Promote Manipulated Image to Sell GFX 50s Camera.

Over the years nothing makes me more angry than photographers swindling people with fake photographs. But whats worse is to then see it done to fool people for the sake of promoting camera sales is a whole new level of low.

I’ve lost count of how many photographers out there that have been caught entering photography competitions with fake images and then win the competition. Same old story photographers at times should produce the RAW with advertisers and show that the original photograph is like the original capture.

Fujifilm I am calling you out on the images you publish or at least ask you to state the real facts in the description box next to the photograph whether it is a photo-shopped composite (Manipulated Image) or state that it is as a photograph (Exif Data with Camera Settings) in Instagram portfolio . This can be seen as unethical and or are you promoting manipulated content for camera sales. The truth of the image “in one photo” is that it was photo-shopped to hell with five images that were fudged into alignment and advertised as one photograph. The end result image was not stitched as a single image as the alignments were out significantly so the five total photographs were layered to look like they are in alignment. Any professional would tell you this was done incorrectly. photographing that way was a big no no.  A panoramic head on a tripod is the correct technical way of photographing a scene to achieve true alignment and then using Photoshop in combination with PTGui will give you satisfying results. As a pro photographer I would not of been content with the results of the Milky way and Opera House. 

This travesty could of been avoided by Fujifilm vetting the content they uploaded and a clearly state the facts.

Photographing multiple images takes real skill and as a professional photographer I value photographers that can do it right using a panoramic head on a tripod in the field. Its a dying art photographing panoramic’s properly but with software inbuilt in cameras today I often see terrible images because of lazy practices. This is becoming the norm with the younger generation and a prime example of how not to use the Fujifilm GFX 50s and falsify content. 

The GFX 50s is a great camera no doubt I’ve read the specifications but will you need a copy of Photoshop CS6 to accompany the camera for producing images that Fujifilm promote?.

I’m not interested in companies when they are unethical, dishonest and fraudulent. But how many images displayed in @fujicamerasaus Instagram portfolio are fakes, real photographs or composites.

An audit of such photographs would be a good start to find out or an update to the description in the postings would help protect the consumer.

This article is about highlighting the ethics of camera companies posting manipulated images to sell cameras and to make people aware of this fact.. Nikon was recently caught in a photography competition and it looks like Fujifilm are now doing this to boost sales. As a consumer I feel like we are being swindled by the performance of what a camera can really produce. Sony recently run test events with huge lighting rigs for the A9 under controlled conditions. I thought Fujifilm was better than that only time will tell if they clean up their act.

I will now have a long and hard think before purchasing the GFX 50s. #Don’tBeMissLeadingFuji

Fujifilm Fake

“in one photo” Fake NEWS by Fujifilm.

Original Description: “In One Photo” Incredible shot by (@PhotographersNameRemoved) captured using the Medium Format Fujifilm GFX 50S.


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[•] Canon Canonflex & the R2000


Introduced in the month of September 1960 (produced until 1962)

The Canonflex is Canon’s first SLR and was designed to compete with the Nikon F which was also released to the public in the same year. Like the Nikon F it has an interchangeable prism and a focal plane shutter to 1/1000. A Selenium meter clips to a front accessory shoe and is coupled to the shutter speed dial.
It featured interchangeable breech lock mount lenses, interchangeable finders.


Canonflex R2000 was equipped with Canon 50mm f/1.8 Super-Canomatic R


Did you know the value of the Canonflex camera was $299 in 1961…Now equals $2,373.19 in 2016.

The top-class 35mm camera market gradually shifted from rangefinder cameras to single-lens reflex cameras. The major reason was that SLRs could handle close-ups, photomicrography, duplication work, and other applications without being constrained by the limits of rangefinder camera lenses. When Canon introduced the Canonflex, its first SLR, there were already eight SLR models on the market.

The Canonflex used a high-quality, breechlock lens mount. The lens flange ring was turned to lock the lens onto the camera flange’s bayonet lugs. The lens flange and camera flange did not rub against each other like today’s lens mounts.The camera used Super-Canomatic lenses which had a fast, fully-automatic diaphragm. A 130-degree winding trigger at the camera bottom enabled quick film advance. An external selenium exposure meter could also be attached.

My Camera’s Serial Number is Very Special:  Body sn # 59623
Lens sn # 68175

The Canonflex was Canon’s first foray into the SLR market, with a removable prism and clip-on exposure meter that coupled with the shutter speed dial. This model has a minimum shutter speed of 1/2000th.

Total production about 8,800 units; documented serial number range: 50646- 59281 (via IDCC

YouTube Video here:


So when I saw the R2000 for sale I made an enquiry and met a wonderful gentleman that has had this camera for many many years. I asked him why he was selling it and he told me that he was 70 years old and it was time to part with that Canonflex. For a part of me this made me sad because it is a reminder that we all can’t walk this life forever and there is a time that we must give up on things we love or have interests in. I don’t know how long I will have this camera for but hope that the next person that inherits my cameras looks after them and keeps the history alive.

So this camera is from the early 60’s and looking at the serial number would of been the last Canonflex made in the R2000 model. For a camera that is over 50 years old and the second model canon produced as the first Single Lens Reflex camera it also was a pinnacle piece of engineering history for canon. They managed to be one of the first few camera companies to have a shutter speed of 2000th second and helped move canon forward to become a successful competitor in the camera industry.

I recently found a second Canonflex online and wasn’t sure whether or not I should purchase it. My one has for a long time been out of use because the shutter winder is broken and when I did see another one available I thought maybe it could become a spare parts camera.

These camera’s are becoming rarer every year and I find that the Canonflex are the most special out of the canon line up because of the the Trigger-Action Winding Lever on the base of the camera.

The only faults are the missing Film Rewind Release Button but I can wind the film back by using a pen to release the locking pin and to the front left the covering is pealing a little. I have the option where I can either swap the part and just fix the best looking Canonflex.

Its a wait and see at this stage but the removable prism is in beautiful condition and so are the internals.

Note: One of the Canonflex in the collection is engraved on the winding trigger designating that it was once sold at a US Military Post Exchange.

Thankyou to the collector that sold me the R2000 Canonflex and know that it will be used and looked after in the years to come.


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[•] Why I bought a Panasonic GH4 instead of GH5 in 2017

For those who can’t decide on the GH5 or GH4. Here are some of my thoughts on the mighty GH4 and how far a $3000 budget can build a beta video kit with a SmallRig Cage to kick start your video making.

Can the GH4 go toe to toe with the GH5?

GH5 has alot of ironing out a few issues including Metabones and waiting for a firmware update. I hope GH5 users get a speedy fix on these issues.

Video here:


More information on the Panasonic GH4 main page link: https://pazrahn.wordpress.com/panasonic-gh4/

My Camera Gear Here:

Panasonic GH4:https://www.amazon.com/gp/offer-listing/B00I9GYG8O/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00I9GYG8O&linkCode=am2&tag=pazrahn-20&linkId=876c663819d6e2b789f433b33fcfca37
Canon 5DMark III: https://www.amazon.com/gp/offer-listing/B00SMNZ0P2/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeA
Manfrotto 303sph Panoramic Head:https://www.amazon.com/gp/offer-listing/B0002NTTDE/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B0002NTTDE&linkCode=am2&tag=pazrahn-20&linkId=769cb9685e5fd26c37974d3532fb7666



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[•] Canon SLR Verse Leica M Rangefinder

SLR Vs Rangefinder

The fight between the ever popular SLR and the sleek Rangefinder.

SLR camera’s are well known for displaying digital readings in the viewfinder. Many people are too busy with their face hard pressed to the viewfinder watching and altering the shutter speeds and aperture that it distracts the emotional connection to just take a photograph. It is as reminiscent to watching a timer count down from 4000 to 0 and thats a long time spent watching that in shutter speed.

So with all this information flooding our eyes which include; white balance, multiple focusing points selection, custom controls and picture styles people get too lost with the basic’s of taking that photograph. You see it all the time the brain is flooded and half the time you see people just looking at the back of the screen and the emotional connection is lost. (Chimping was invented by the digital SLR)

Photography through a Rangefinder is a different story and that story have been un-altered for about 100 years. Looking at the design its quite simple and clear that a rangefinder connects you to the camera at your finger tips physically therefor it emotionally connects you to taking a photograph.

This is what I have found most enjoyable with photographing with a Leica compared to a SLR or newer digital SLR. The biggest light bulb moments I see with people when they first use a rangefinder they say “I am instantly connected” but when you ask them why? they just say that it “just feels right”…..and like the old saying “Can’t put my finger on it” and making a physical connection thats where it become’s far more emotional and spiritual. So you can see why a Leica photographer would call themselves a purist photographer.

When I picked up the Leica that connection was instantly changed and it was felt as I flipped, rotated and spun the camera in my hands . Looking closely at the design I said to myself those German’s have done it right. There’s a lot of thought that goes into designing a camera and technology doesn’t always have to take over completely and it doesn’t need too. We need to take a step back from the advanced technological side before worrying about the extra features in the next camera and what it has because you loose yourself from the basic purpose of just taking a photograph.

I have always loved photography since I first picked up a camera and admit both styles of camera’s compliment each other in many ways. Its a good feeling just take a photograph with the basic’s and there’s nothing wrong with that even though it might cost an arm a leg and an arm for that new Leica M. But to many that price point is a problem so where do we all find our selves.. Back at the beginning lost in the world of wasting time on the cheaper alternative 😉

Feel free to comment on your thoughts of SLR verse Rangefinder.

Camera’s in the photograph;

Canon F-1New with FD 50mm 1.2L
Canon F-1 with FD 85mm 1.2L
Leica M7 with 35mm Summicron ASPH F2
Leica MP with 50mm Summicron F2

Photo taken with a Canon 5D Mark III with 24-105mm F4 L lens 😉



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[•] Mirrorless Cameras and the benefits of Adaptor’s

Mirrorless AdaptorsI’m in the process of building an Adobe Lens Profile correction for Sony A7 series for Canon FD lens when you RAW edit. So keep following as it is one big epic project that I think many Sony mirrorless and Canon FD users would love to have.

Mirrorless cameras like the GH4 and A7 Series are now known as MSLR (Mirrorless Single Lens Reflex) camera’s and have some unique advantages over the common DSLR. Adapters like Metabones and Commlite expand the use of lens selection making mirrorless a viable option. Sony just pushed into second place as a real contender to fight for the top spot as best full frame camera to own. Do you prefer full frame mirrorless in the Sony or the Panasonic MFT (Micro Four Thirds) cameras now hitting the scene.. It really is a rough call at the moment and both have advantages and disadvantages. For me camera choice is a balance of which one for video and which one for photography but boy do these cameras make a shooter feel spoilt. Cameras really have come a long way since film days and those film days are really paying of for those who kept older lenses. For me to be able to use legacy glass like Canon FD and Leica M make these cameras shine.

I recommend Metabones adaptors for their quality. Don’t waste your time on cheaper eBay adaptors they can damage your camera or lens. Are prone to fall apart with screws unwinding.

More to follow on this topic coming soon to my YouTube channel will be a detailed video on this adaptor saga. Just Subscribe and join me on the journey of photography talk.

In this photo the adaptors are:
Commlite EF to E Mount
Metabones Canon FD to E Mount
Metabones Canon FD to MFT
Metabones Leica M to E Mount
Panasonic Leica M to MFT



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