[•] Fujifilm GFX50s Medium Format Camera Vs Oppo A57 Phone Review

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Yes you read the title right and its not click bait some people really really want to see how a smart phone can stack up to the lastest professional camera. The ever evolving technology in a smart phone can it go toe to toe with a newly released medium format camera the Fujifilm GFX50s.

Now lets talk about specifications Fujifilm has 54.1 Megapixels (43.8 mm x 32.9 mm Bayer CMOS sensor) combined with the GF32-64mmF4 R LM WR Lens and the Oppo A57 with front camera (For Selfies) 16 Megapixels and a rear 13 Megapixels supported with f/2.2 lens

Both have Sony sensors just the size comparison is like a midget verse a giant.

Now I have to say the convenience of a smart phone must not be dismissed. Walking around the Australian Reptile Park I noticed this very cool snake in his exhibit. And having the Oppo phone in my pocket makes it such a simple task to snap a quick pic of either myself for the ultimate selfie to post on Faceback, Instagram, Twitter or any other social media platform for instant gratification. But no this was for the snake and Fujifilm verse Oppo A57 and not for me as selfie time is pretty much non existent in my work as I have a face for radio and not for television 😉

The first photo is hands down taken with the Oppo A57 and honestly I like it more than what I captured with the Fujifilm.. Many key factors involved and i’ll explain.

Focal Length is probably the biggest thing and the Oppo allowed me to get in nice and close as with taking the photo with the GFX50s the 32-64mm lens forced me back 50 cm. The phone I could hold it directly on the glass and minimise the reflection of light and with any slow settings in low light I was able to minimise the shake as well.

Analysing in photoshop you can see that one photo from the Oppo phone can fit four times into the one medium format. cool eh.

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Sometimes we get lucky with how we take a photograph and that is the most important thing when it comes to photography.

See in this whole process I prefer the result from the Oppo phone over the Fujifilm. The snake position plays in another factor 😦 but what impresses me the most it the out of camera the colours are richer and how the Oppo did extremely well in low light. On the lower part of the image the blacks are fantastic. yes there is substantial degradation in the pixels zooming in. And I’m not knocking the Fujifilm as it is no slouch. I have said in a previous review that the GFX50s is perfect example of future proofing your work in terms of quality and knowing years down the track the images will enable you to go back and work on them with no fuss and comfortable know the quality is there.

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The beauty of 100% crop in photoshop.

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Which one do you like best?

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Fujifilm GFX50s with 32-64mm F4, Aperture: F4, Shutter 1/50Sec, ISO: 3200 resulted in a 18MP Jepg.

Maybe it would be a different story if I had used a different lens but for this its just example and I’m not working for a client that demands the best in regards to high megapixels or for use on a billboard. What I’ve learned most from these little experiments is that every time it doesn’t matter what camera you have or use as long as you get the photo you like best. I just think its fantastic the convenience of a smart phone and the ability to quickly take a picture in a crowded space is an added bonus too.

If you found this informative useful and interesting feel free to leave a comment below. If you have an Oppo A57 phone high five me as I love it and its is substantially cheaper than the latest iPhone and that money saved can go towards a decent camera or lens if your new to photography and want to build a kit 😉

More here: <a href=”https://steemit.com/photography/@pazrahn/fujifilm-gfx50s-medium-format-camera-vs-oppo-a57-phone-review” rel=”nofollow”>steemit.com/photography/@pazrahn/fujifilm-gfx50s-medium-f…</a>

 

Regards,

 

[•] p 🔺 z r 🔺 h n

 

 

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[•] K&F Concept Camera Bag Review

Bag Available Here: “https://www.amazon.com/gp/offer-listing/B01M237LLV/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B01M237LLV&linkCode=am2&tag=pazrahn-20&linkId=e97ba8f78824dbc6ce3ddc9b8af4cb60”&gt;

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With a new bag comes a new bag review. For a long long time well 12 years in fact I have used a LowePro version camera bag in the same style as this K&F Concept bag.

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The K&F version has two plastic pads on the base for when you put the bag down on the ground to protect the base and the fabric of the bag including the gear inside which I really like. The outside front has clips for a tripod to hold centre of the bag while walking. Balance in a bag is the single most important feature.

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There are some details I like about the bag including the cute little embroidered tripod symbol. LowePro as a camera bag is a forgotten dream the prices are just sickening when you can purchase this bag for $75 and the build quality I would consider substantially better. The shoulder straps are firm and hold their shape and on the back feels very comfortable. The front pocket holds a Surface Pro tablet with ease.

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The zippers can be undone with one hand so if your a one handed photographer this will definitely cater for you.

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The bones of the bag allow for two decent DSLR’s. In the photo you can see with a little customisation of the support pads you can fit a Fujifilm GFX50s with 32-64mm lens. Up top is a Sony A7II mirrorless for the little projects along with two primes lenses. And other sections hold a dust blower, Lens hood and SD card holder case.

 

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Extras include waterproof dust cover and would you believe a gift zip bag containing a dust blower, spray bottle for lens cleaning and cleaning cloth. Such a thoughtful well presented bag for any photographer.

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Overall Rating 10/10

This is one of the best bang for buck bags around including build quality compared to any other bag on the market.

If you get this bag you will be filled with joy.

Disclosure: I am not funded by this camera gear company. Just a one man band doing the far and in between gear reviews on items I have purchased.

 

Bag Here: https://www.kentfaith.com/camera-backpacks/USKF13.051_professional-dslr-camera-backpack-waterproof-11-81-6-3-16-54-inches

 

Regards,

[•] p 🔺 z r 🔺 h n

 

 

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[•] Fujifilm GFX50S with Manfrotto 303SPH Panoramic Setup

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Items Required: Manfrotto Tripod, Manfrotto 303SPH Pano Head, Fujifilm Shutter Release Cable, Fujifilm GFX50S Camera with 32-64mm F4 Lens.

Set up with any camera with the Manfrotto 303SPH head is no easy feat but hopefully this write up can help steer you in the right direction to achieve optimal nodal point between the sensor and lens.

The panoramic head has three axis of directions to move the camera into position to find the nodal point.

To find this position will determine whether or not you will get a parallax error in the stitching of the multiple photographs you take to achieve a perfect panoramic .

The first thing to do attach camera quick release place and make sure it is square and tight to the bottom of the camera. Any little bit of movement can throw the setup out. And be mindful not to over tighten as you can thread the camera holding screw which will really mess up your day.

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Once attached to tripod and pano head rotate the camera so that the lens faces downwards towards the ground. On the lens you will see white marking lines these will help align the lens up with the centre of the tripod.

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Another trick is to rotate the entire pano head and look at the setup and see the the lens barrel rotates perfectly without any wobble.

Now that you have the basic horizontal alignment you must now find the nodal point. This can be found by looking through the viewfinder at two posts in front of you and as you rotate the lens see if the two posts especially the first post does not move out of position. (To understand this hold your hand up and point your finger to the sky in front of your face. Now open and close left eye then right eye a couple of times. Notice the position of your finger moves. This is basically what we are trying to do with the camera and eliminate that movement) When you move the angle the camera during rotation keep adjusting and looking at the posts until they stay in position. I find that a push pull trick with the upper plate helps and then tighten off the screw. This can take a few attempts so don’t get too flustered.

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With these basic steps complete the next step is upload the jpeg images and import into Photoshop (File, Automate, Photomerge) Auto and Press OK.

At this stage this will determine a clean stitch with all the photographs taken showing either an error or successful merger.

(Other software is photographing Spherical Panoramics I recommend PTGui)

Future video on YouTube in the works for further help.

 

 

Regards,

[•] p 🔺 z r 🔺 h n

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Fujifilm GFX 50s RAW Edit Workflow

This process is for those who don’t use Adobe Creative Cloud CC and can’t view the RAW .RAF file. Here are a few Free workarounds to edit your GFX 50s Photographs.

After taking your photograph in RAW and unfortunately for many of us the workflow has added an extra step with the RAF File (.RAF) as it must be converted into a workable file for Lightroom or Photoshop.

Option 1:

Here is an example of the workflow:

  1. Take Photograph
  2. Place the captured files into your desired folders on computer. (i.e RAW Photographs Folder)
  3. Run the DNG Converter Program.
  4. Click Extract button – Select file source RAF File (.RAF) and Select a desired output folder (i.e Photographs Folder)
  5. Click Convert run the process. (New files are placed in file folder ready to edit in Lightroom and Photoshop/Bridge.

DNG Converter

The conversion of RAW original straight out of the camera will now be a DNG File (.dng) and look something like this in the folder: DSCF1000

The Adobe DNG converter can be Downloaded from here:

PC: http://supportdownloads.adobe.com/product.jsp?product=106&platform=Windows

Mac: http://supportdownloads.adobe.com/product.jsp?product=106&platform=Macintosh

Make sure you download the current version to ensure that the program has the camera you are shooting with.

Option 2:

RAW FILE CONVERTER EX 2.0 powered by SILKYPIX (Ver.4.2.6.0) Installer for Windows

http://www.fujifilm.com/support/digital_cameras/software/myfinepix_studio/rfc/

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Fujifilm Raw Conversion with Silkypix Software.
32.9MB File with a small crop. The Orginal was 45.7MB.

Saved with basic editing. See the adjacent screen shots in flickr stream. <—–

1.) Run Silkypix Software on PC or Mac
2.) Open Raw file (Photograph)
3.) Change view and Ctrl + will zoom in to desired viewing for edit.
4.) I added a little Strong Contrast and increased Saturation to 1.5 to make the green pop. Colour Mode was changed to Film Simulation, And Last Film Simulation to: Velvia/Vivid.
5.) File, One Scene Development.
6.) Basic Settings Choose JEPG and the JEPG Compressed to drop down to: The Highest Quality; EXIF Non Conforming. And Click Development(S) Button.

Well Done you now have a finished edited Jpeg ready to share to the world.

[•] Old Helensburgh Metropolitan Railway tunnel.

If conversion is done with Adobe DNG converter the .dng file is larger at 129MB then when edited in Photoshop produced a 29.3MB Jepg.

Option 3: 

Iridient X-Transformer – A high quality Fujifilm RAF to DNG image converter.

Iridient X-Transformer 1.0 beta 3 Software At this stage it is Beta version. I have tested this software and has performed slightly less than Adobes version. If it was a better program I would be interested but because of the short comings could not justify spending $43.59 on more software.

http://www.iridientdigital.com/

Best RAW Converter Results

Adobe RAW converter produces a nicer look to the image compared to the others . 100% crop looks the cleanest in my book. I personally prefer Adobe DNG Converter for the results and the workflow. Adobe has performed better results. The Silkypix RAW Converter is a softer image once converted and too soft for my liking. The Iridient X-Transformer Converter is the lessor performer of all three and I wasn’t a fan of the result.

It will be important to work out what your preferred file conversion is from RAW to Jpeg is minimize the storage of files on Hard Drive.

Regards,

[•] p 🔺 z r 🔺 h n

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Fujifilm Promote Manipulated Image to Sell GFX 50s Camera.

Over the years nothing makes me more angry than photographers swindling people with fake photographs. But whats worse is to then see it done to fool people for the sake of promoting camera sales is a whole new level of low.

I’ve lost count of how many photographers out there that have been caught entering photography competitions with fake images and then win the competition. Same old story photographers at times should produce the RAW with advertisers and show that the original photograph is like the original capture.

Fujifilm I am calling you out on the images you publish or at least ask you to state the real facts in the description box next to the photograph whether it is a photo-shopped composite (Manipulated Image) or state that it is as a photograph (Exif Data with Camera Settings) in Instagram portfolio . This can be seen as unethical and or are you promoting manipulated content for camera sales. The truth of the image “in one photo” is that it was photo-shopped to hell with five images that were fudged into alignment and advertised as one photograph. The end result image was not stitched as a single image as the alignments were out significantly so the five total photographs were layered to look like they are in alignment. Any professional would tell you this was done incorrectly. photographing that way was a big no no.  A panoramic head on a tripod is the correct technical way of photographing a scene to achieve true alignment and then using Photoshop in combination with PTGui will give you satisfying results. As a pro photographer I would not of been content with the results of the Milky way and Opera House. 

This travesty could of been avoided by Fujifilm vetting the content they uploaded and a clearly state the facts.

Photographing multiple images takes real skill and as a professional photographer I value photographers that can do it right using a panoramic head on a tripod in the field. Its a dying art photographing panoramic’s properly but with software inbuilt in cameras today I often see terrible images because of lazy practices. This is becoming the norm with the younger generation and a prime example of how not to use the Fujifilm GFX 50s and falsify content. 

The GFX 50s is a great camera no doubt I’ve read the specifications but will you need a copy of Photoshop CS6 to accompany the camera for producing images that Fujifilm promote?.

I’m not interested in companies when they are unethical, dishonest and fraudulent. But how many images displayed in @fujicamerasaus Instagram portfolio are fakes, real photographs or composites.

An audit of such photographs would be a good start to find out or an update to the description in the postings would help protect the consumer.

This article is about highlighting the ethics of camera companies posting manipulated images to sell cameras and to make people aware of this fact.. Nikon was recently caught in a photography competition and it looks like Fujifilm are now doing this to boost sales. As a consumer I feel like we are being swindled by the performance of what a camera can really produce. Sony recently run test events with huge lighting rigs for the A9 under controlled conditions. I thought Fujifilm was better than that only time will tell if they clean up their act.

I will now have a long and hard think before purchasing the GFX 50s. #Don’tBeMissLeadingFuji

Fujifilm Fake

“in one photo” Fake NEWS by Fujifilm.

Original Description: “In One Photo” Incredible shot by (@PhotographersNameRemoved) captured using the Medium Format Fujifilm GFX 50S.

Regards,

[•] p 🔺 z r 🔺 h n

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[•] Is it time to let go?

Canon 5DIII

Is it time to let go of the Canon 5D Mark III and move to medium format?

Digital camera’s have come along way since 2005 and with 2017 being a new year, this year is really the new era of medium format. The question I have to ask “is now the time to move to medium format”?.

A special camera recently caught my attention and to call it out as it is a little shy is the new Fujifilm GFX 50s. I’ve heard one photographer say “it made him cry” when he took the images and looked at them in Lightroom. To me that’s a big statement and to the few that have been fortunate to test the camera with what I perceive as “little to no experience” to then rave about the performance. But what really grabs my attention is the new direction of medium format. There are two stand outs out there and they are the Hasselbald X1D and Fujifilm GFX 50s.. Both look beautiful and more people tend to praise the X1D but for me the GFX 50s stands out with the old school design with all the functions in the physical form.

Shutter and ISO function on body and the winner for me the Aperture on the lens. To me this is the best way to have a functioning camera. And this all comes down to how much digital functions do we really need in a camera? The more digital design in a camera opens it up to being more prone to failure (I witnessed one photographer turn his X1D on and off to get it to work which made me cringe.. Over 10K for a camera ouch). I woke up a long time ago for the need of camera’s to be more mechanical and less digital in design. I’ve had my very own Canon 24-105mm fail in the electronic aperture.. This is where I now look for and use lenses with mechanical aperture.. You’ll see I even prefer adjusting this manually and have purchased many lenses with this feature..

This is going to be a long talk I can feel it in my bones. My film camera’s still work beautifully and if they need a CLA it can be easily done. But not my digital camera’s like the 5DIII to repair you look at the cost and its on average the third of a new camera purchase price for repair. I like what Hasselblad has done with the X1D but I feel like its a “less is more” camera and the GFX 50s a “Put your money where your mouth is” camera.

I’ve been dwelling on this for many years taken thousands of photographs and think its the right time to take my photography into a different and new direction. A move to Fujifilm would be a more than a personal reason and I don’t think many would understand. I don’t even want another camera or another lens I just want the satisfaction knowing that everytime I take the next photograph that I produce the best work that will be sustained many years down the road.

The future of photography is here now and many photographers don’t even know it.

Fujifilm if your listening where can a photographer get a complete package A promotional GFX 50s kit with lens and a Fujifilm bag to compliment the kit? You have made something special can we do this?

Regards,

[•] p 🔺 z r 🔺 h n

 

 

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