[•] CanonEmotion


[•] CanonEmotion V2

Do you feel and see emotion in photography?

Many lenses have purpose and with that purpose can bring emotion. That emotion can be in the type of photographer or the type of photograph that is captured. The key to this emotion can also be found in the right lens selection.

Each lens can focus on any specific area whether its Macro for the up close and intimate or a wide for the sweeping nature feeling landscapes or the handy prime focal length for the aggressive street photographer not fearful of taking on the challenges of the street and last but not least the telephoto for the shy and or stand offish photographer trying to capture that timid animal in the wild.


[•] CanonEmotion

I consider Canon FD to be phenomenal lenses and this project is not only of rediscovery but a reminder of the exceptional quality and performance.  The introduction of mirrorless cameras has made the impossible possible. Many of these beautiful lenses were discarded by many with the introduction of the Canon EF mount  lenses that are widely used today in the photographic world. But no more will they sit idle waiting to be used now is the time to dust off the lens caps and put these beautiful lenses back to work.

Do you feel emotion with photography produced by a certain lens and what is your favourite?

Photos taken with Canon 5D mark III with 24-105mm F4L

Aperture: F11, Shutter: 1/160sec, ISO: 320 And Edited via Adobe Bridge to Photoshop Special Editing.



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[•] The Infamous Peacock

[•] The Infamous Peacock

[•] The Infamous Peacock

I’ve been about 10 times to Symbio Wildlife zoo to try get a photo of this Peacock. He is either hiding or on roof tops and near impossible to get a decent photo. Today was scorching hot and summer is truly here. It must of been a tad hot on the tin roof with him hiding under this arena. Still I haven’t got him with his feathers out being a true peacock but did have on hand the Canon 5DIII with EF 50mm 1.2. Every other time I have taken the Fujifilm GFX50s as I really want a medium format photo of this bird doing his thing. Maybe next time ; -)

Camera Settings:
Aperture: 1.8
Shutter 1/800 Second
ISO: 640

The Canon 50mm still has a well held reputation as an excellent lens. Many say shooting at F1.2 is very tricky and depth of field will be very tricky to get spot on. I tend to close down 2 stops to F1.8 on some subjects especially on the peacock to show his beautiful feathers and let the rest of the lens blur out the unwanted background.



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[•] Finding a Minolta TC-1 film camera in today’s world.

Minolta TC-1

Look what I found today. On a day out in the corner of my eye I saw a lovely gentleman named Andrew snapping away with his Minolta TC-1. Often the best conversations are started with people holding a camera and today was the day.

Over the years many of us have seen interviews on YouTube with Bellamy Hunt from Japan Camera Hunter talk about camera’s like the infamous Ricoh GR1 but there is also another small camera that’s very very cool. For me its the Minolta TC-1. It’s an ultra rare occasion as I live south of Sydney and we just don’t see people shooting with film especially with this type of camera.

Not only does Andrew have this beautiful camera but as a surprise he pulled out a medium format Hasselblad 903 SWC with a Carl Zeiss 38mm f4.5 SUPER WIDE from his bag. That’s was in excellent condition and you will have to take my word for it. From one photographer to another and talking I found out he was a massive Leica collector right up to owning a Leica M9 that doesn’t get much use as he is an avid film photographer. This really made my day and hope he says hi on one of my pages.

So if your out and about and you see some one with a camera it is always worth it just to say Hi because you never know where the conversation will take you..

On writing this little story I wish I took picture of his Hasselbald to compliment the photo of the Minolta TC-1. On another note what is your favourite camera the Minolta TC-1 or the Ricoh GR1?

Note: Photo taken with Oppo A57 Phone (As the best camera is the one that’s with you)



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[•] K&F Concept Camera Bag Review



With a new bag comes a new bag review. For a long long time well 12 years in fact I have used a LowePro version camera bag in the same style as this K&F Concept bag.


The K&F version has two plastic pads on the base for when you put the bag down on the ground to protect the base and the fabric of the bag including the gear inside which I really like. The outside front has clips for a tripod to hold centre of the bag while walking. Balance in a bag is the single most important feature.



There are some details I like about the bag including the cute little embroidered tripod symbol. LowePro as a camera bag is a forgotten dream the prices are just sickening when you can purchase this bag for $75 and the build quality I would consider substantially better. The shoulder straps are firm and hold their shape and on the back feels very comfortable. The front pocket holds a Surface Pro tablet with ease.


The zippers can be undone with one hand so if your a one handed photographer this will definitely cater for you.


The bones of the bag allow for two decent DSLR’s. In the photo you can see with a little customisation of the support pads you can fit a Fujifilm GFX50s with 32-64mm lens. Up top is a Sony A7II mirrorless for the little projects along with two primes lenses. And other sections hold a dust blower, Lens hood and SD card holder case.



Extras include waterproof dust cover and would you believe a gift zip bag containing a dust blower, spray bottle for lens cleaning and cleaning cloth. Such a thoughtful well presented bag for any photographer.


Overall Rating 10/10

This is one of the best bang for buck bags around including build quality compared to any other bag on the market.

If you get this bag you will be filled with joy.

Disclosure: I am not funded by this camera gear company. Just a one man band doing the far and in between gear reviews on items I have purchased.


Bag Here: https://www.kentfaith.com/camera-backpacks/USKF13.051_professional-dslr-camera-backpack-waterproof-11-81-6-3-16-54-inches



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[•] Getting up early for landscape photography to be defeated by mother nature.

Cathedral Rocks, Kiama Downs, NSW, Australia

[•] Wind swept rocks

Dragging yourself out of bed kicking and screaming at 4am is the most challenging part of photographing morning sunrises. I don’t really kick and scream as I would wake the wife and kids but the old body has seen better days. Put your hands up if you can jump out of bed with a spring in your step. I used to have that special super power but lost that mojo a while back. One thing that does help and nothing better to kick start the heart is a delicious hot coffee and a piece of toast for breakfast.

Once on the road its dark and the thoughts are if the sky is clear from cloud and will there be an epic sunrise. Sunrises are like winning the lotto not that I have won lotto but a beautiful sunrise can make you feel like a winner.

The drive took about an hour south from Sydney to a place called Cathedral Rocks, Kiama on the NSW coast. this location is a hot spot for photographers and pretty much a pilgrimage for any photographer that wants to add a landscape photograph to their portfolio.

Walking south from Jones beach car park I found the tide was high with epic 6 foot waves crashing into the canyon where the cliff edge meets the sea. I had just set up and bam the waves came rolling in. Not cool when you are using two cameras and two tripods I had to pick up and run. Well I couldn’t run I was trapped but held onto the rock face like a mountain goat and thought to myself I’m getting the hell out of here. Both shoes were soaked and the jeans wet just below the knees. At the same time I pictured a rock fisherman yelling help and that’s the moment I knew mother nature had truly beaten me, then again I think I was beaten with a left hook when the wall of cloud covered the sunrise as I drove in to the location but I had to try take a few photographs.

The reason I had two camera’s was I’m testing the Sony A7II a mirrorless camera that can adapt older lenses with an adaptor and surprisingly produces lovely results.

Fun Photography Fact: Professional landscape photographers with a city gallery and large amazing prints spend days and weeks visiting a location to get that perfect photograph. Could you sit out in the wild with a tent and a few cans of baked beans and watch the world go by?.

The photographs taken were outside the dream location of where I would have liked of setup with camera gear but the results posted are different take compared to other photographers. (Feel free to google Cathedral Rocks, Kiama) Even if we fail as a photographer the plan is to take a photograph. And if a story along the way accompanies that one photograph at least we can share it.



[•] Wet footprints in the sand.

Camera: Sony A7II with Canon 20mm FD F4 lens. Shutter: 1/8Sec, Aperture: F11, ISO: 200, Adaptor: Metabones FD-E mount.

Featured Photo: [•] Cathedral Rocks, Camera: Canon 5DIII with Canon EF 16-35mm F2.8L lens. Aperture: F11, Shutter: 20Sec, ISO:200

I may of been defeated this time by mother nature but I will return like Rocky Balboa with the gloves off equipped with a medium format camera.

Note: It is dangerous photographing at these locations please advise loved ones where you are going and even better take a friend that can help as a look out. I grew up as a surfer and have a connection with this type of environment and reading the waves takes experience. Even the best of us can find it tricky in dealing with these types of weather conditions.


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[•] Fujifilm GFX50S with Manfrotto 303SPH Panoramic Setup


Items Required: Manfrotto Tripod, Manfrotto 303SPH Pano Head, Fujifilm Shutter Release Cable, Fujifilm GFX50S Camera with 32-64mm F4 Lens.

Set up with any camera with the Manfrotto 303SPH head is no easy feat but hopefully this write up can help steer you in the right direction to achieve optimal nodal point between the sensor and lens.

The panoramic head has three axis of directions to move the camera into position to find the nodal point.

To find this position will determine whether or not you will get a parallax error in the stitching of the multiple photographs you take to achieve a perfect panoramic .

The first thing to do attach camera quick release place and make sure it is square and tight to the bottom of the camera. Any little bit of movement can throw the setup out. And be mindful not to over tighten as you can thread the camera holding screw which will really mess up your day.


Once attached to tripod and pano head rotate the camera so that the lens faces downwards towards the ground. On the lens you will see white marking lines these will help align the lens up with the centre of the tripod.


Another trick is to rotate the entire pano head and look at the setup and see the the lens barrel rotates perfectly without any wobble.

Now that you have the basic horizontal alignment you must now find the nodal point. This can be found by looking through the viewfinder at two posts in front of you and as you rotate the lens see if the two posts especially the first post does not move out of position. (To understand this hold your hand up and point your finger to the sky in front of your face. Now open and close left eye then right eye a couple of times. Notice the position of your finger moves. This is basically what we are trying to do with the camera and eliminate that movement) When you move the angle the camera during rotation keep adjusting and looking at the posts until they stay in position. I find that a push pull trick with the upper plate helps and then tighten off the screw. This can take a few attempts so don’t get too flustered.



With these basic steps complete the next step is upload the jpeg images and import into Photoshop (File, Automate, Photomerge) Auto and Press OK.

At this stage this will determine a clean stitch with all the photographs taken showing either an error or successful merger.

(Other software is photographing Spherical Panoramics I recommend PTGui)

Future video on YouTube in the works for further help.




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[•] Photographing Fiji on Octopus Island Resort.



Located in the spectacular Yasawa region of the Fiji Islands, Octopus Resort lies 27 nautical miles west from Nadi International Airport (NAN). The resort is set on the western side of Waya Island, allowing for breathtaking views of sunsets in the South Sea Islands. Getting to Octopus Island Resort from Nadi is easily done by jumping on a boat, which is about 35 minutes. Along the way are there are many islands and if your lucky might see a pod of dolphins to watch play along the side of the boat.

There are Garden View Bure’s for accommodation but the perfect way to stay is in the Premium Bure as I recommend having the air-conditioning on those very hot days. Adjoining the room is your very own private outdoor shower and courtyard. The view from the front is relaxing and a nice change away from the hustle and bustle of city life. Say good bye to looking at your mobile phone and internet this is the perfect place to detox away from all those gadgets.

Looking Out

[•] Looking Out





In the series of photographs. Can you see it? A face on the side of the mountain. The walk up is not for the faint hearted and I do recommend a level of fitness. With every step and grasping breath it was confirmed the height to the top of the island was 385m in total thanks to a German with a fancy watch. The hike took about 3 hours and is a great way to loose a little weight around the belly. If you do manage to visit this place please take plenty of water on the hike and some snacks.








Every day the local tour guide (depending on the weather) would take tourists up and he really enjoyed seeing how unfit we were often having a good laugh between breaks.. He had such a great sense of humour. The mountain walk is a great add to anyone’s bucket list and has to be one place on earth with the most breathtaking views. Just don’t look down it is by far another sheer drop if your scared of heights.



This is the type of holiday experience that is even better with friends and made as a group holiday.


Note: Camera: Canon EOS 5D a few lenses EF 24-105mmF4, 16-35mm F2.8L II USM


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